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Things on Thursday…

22 Thursday Aug 2013

Posted by Sara in Things on Thursday...

≈ 4 Comments

Tags

techniques, Things on Thursday, Tutorials, Week in the Life

It’s been a while since I’ve done a Things on Thursday post but a couple of items caught my eye recently and I wanted to share!

1. Julie Fei-Fan Blazer showed a tutorial today on her blog about how to do this boxed letter technique:

joyful - Balzer Designs

The finished LO looks awesome so you should all check that out!

2. Summer CHA products are being launched and although I wasn’t in love with much, there are a couple of things I must have. Like these Archival ink pads by Wendy Vecchi for Ranger:

Archival_FernGreen - Wndy Vecchi

And this small Dylusions Art Journal:

SmallDyJournal

And I’m looking forward to the Amy Tangerine Cut & Paste line from American crafts:

cut&paste - Amy Tangerine

3. October Afternoon does Monday Challenges on their blog and this particular one is really fun:

Monday Challenge - OA

Click over and play, if you want a bit of scrapping inspiration!

4. We just had an awesome weekend at the Paperie with Dina Wakley (much more on that later!) and I’m already thinking ahead to new people we can get in! πŸ™‚ So Wendy and Janna, how about Ronda Palazzari? Love this project!

altered art canvas - Rhonda Palazzari

5. Finally, Ali Edwards has announced her Week in the Life dates for this year – and it’s coming up soon! I loved this project last year and I’m even more excited this year – there’s something fun coming!

WITL 2013 - Ali Edwards

S.

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Tuesday Techniques and Tutorials

18 Tuesday Sep 2012

Posted by Sara in Tuesday Techniques, Tuesday Tutorials

≈ 8 Comments

Tags

Amy Tangerine, Project Life, techniques, Tuesday Techniques, Tutorials, Twinkling H2O's

So, I’m back with the Tuesday Techniques after a summer hiatus but I’ve decided to change it up a little and have tutorials sometimes as well! Today is going to be a mini tutorial on my Project Life Album cover. Let’s hope it turns out because it’s the only one I have! πŸ™‚

When I went to buy an album for Project Life, I had planned to get a really colourful leather one, but when I got to The Paperie, they had one more of these Amy Tangerine Sketchbook Camera Albums left:

To me, it looked like the perfect album for Project Life!

One small problem, I wanted some more colour – black and white is not normally my go to colour combination!

A little while ago I saw thisΒ post and video by Ronda Palazzari and I thought it was the perfect solution to my album cover! I didn’t use stencils, but I did decide to paint the cameras, some of them anyway.

I started by painting a few cameras with Titanium White Golden acrylic paint.

I wanted the colour to really pop so I needed a light layer beneath to cover the black, kind of like using primer on your walls.

It was a very thin coat and, as you can see…

…I wasn’t very particular about covering the whole area neatly. I only did three camera on each of the front and back covers and I liked the look so much that I was very tempted to leave it just like this!

However, I had it in my head that I wanted red cameras so once the white paint was dry, I broke out my favourite Twinkling H2O’s and used the Poppy colour to paint them in.

Β Again, you can see that I wasn’t fussy about the neatness.

I like how the pops of red turned out, but I may add some more colour later. I’m still debating whether one colour is enough or not!

I’m planning to do a tutorial on how to make my one sheet, washi tape mini album next week. If there are any tutorials in particular you’d like to see, let me know!

S.

 

 

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Things on Thursday – Techniques & Tutorials

24 Thursday May 2012

Posted by Sara in Techniques, Things on Thursday...

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Tags

Pinterest, techniques, Tutorials

If you have read my blog for any length of time at all (like this week!) you know how much I love a good technique. Combine it with a great tutorial and I’m sold! So today, I thought I’d give you a list of links to a few fun ones I have pinned on my Pinterest boards:

1. Who doesn’t love a good transfer technique? This is different from the one I did a while back but still super simple – it just takes a little longer due to the drying time required.

2. A good brooch never goes astray and always makes an awesome add-on gift or end-of-year teacher present. Love how simple this one is and that you could make it as fun or as dressy as you like – simply switch out the colours and fabric. Felt would be awesome for a winter coat!

3. Who doesn’t own a boat load of baker’s twine? That’s what I thought! Here’s a great way to use some and make super cute cards, embellishments, or tags.

4. This ornament is beautiful in felt and would look great as a Christmas ornament or to hang for everyday. Use paper and make fun party decorations! Or put a bunch together to make some front door decor.

5. Easy, pretty, and a really good bang for your buck, making your own coasters is simple and a gift anyone can use. They can even double as paperweights!

And here’s a bonus one:

6. 3D stars! These could be embellies, home decor, party decorations, tree ornaments…

Let me know if you make anything, I always love seeing how people go in different directions with the same starting point!

S.

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Tuesday Techniques – Marbled Alcohol Inks

10 Tuesday Apr 2012

Posted by Sara in ScrapBook, Tuesday Techniques

≈ 33 Comments

Tags

Alcohol ink, Ali Edwards, Fragments, Ideology, Ranger, Technique Tuesday, techniques, Tim Holtz

I love me some alcohol inks! You really can’t mess them up because no matter what colours you pick to blend together, they all work – no muddiness or anything, they just play nice together! And if you don’t like what you get then add more or, on certain surfaces, wipe it all off and start over! I mean really, what’s not to like about that?

There are a bunch of techniques I love – using them on canvas, making plaid, removing parts with Archival Ink – but one of my favourite looks is marbled. This looks the coolest on fragmentsΒ (you can also get charms), but works equally well on any transparent surface, like acetate or page protectors. For me, it’s just an embellishment as is, I don’t do anything more than make them and adhere them to my project, but you could also stamp sentiments and images over them to use as focal points.

Here’s what you need:

Supplies

Alcohol Ink, Fragments, Ink blending tool with felt, heat tool (optional).

First, just add a few colours to your felt. Simply put the tip of the ink applicator in the felt and give it a 2-3 second squeeze. If you don’t put the tip in the felt, well, let’s just say you could have alcohol ink permanently stuck all over the place. Of course, I don’t know this by experience, oh no, not me, I would never do something like that. I’ve just heard it could happen. *ahem*

Now, pounce your felt all over your fragment, twisting the ink blending tool as you go to mix and blend the colours. Don’t worry about what this layer looks like, we’ll be adding lots to it yet!

Because I’m impatient, I use a heat tool to speed up the drying process though it really isn’t necessary as they dry pretty quickly.

Next, add a little more intense colour to the felt, if you wish. I thought the first layer was pretty light and needed some depth so I added a darker colour. Then you pounce and dry again. I don’t add any more ink after this step since you want the felt to dry a little – as it dries and you add more layers, it gets “stickier” and builds the effect we’re going for.

Just keep pouncing and drying, pouncing and drying, until you get dark lines running through the colours on the fragment.

See? Marbled alcohol inks!

I like the fragments because of the thickness and translucency of the finished piece, but it does look cool on a page protector too, especially if you want to use said protector as a memorabilia pocket in an album.

Now, just add the fragment to your project and consider it done! Personally, I think they’re interesting and pretty enough to stand on their own, so I leave them alone.

This would be great hanging on a thank you gift, or birthday present…

You can see that I ended up using different colours for my finished tag – now I just have to find a spot to put the teal one I made!

As always, leave me a comment with a link to any projects you try using this technique – I’d love to see what you come up with!

S.

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Tuesday Techniques – Finishing Touches: Background Stamps

20 Tuesday Mar 2012

Posted by Sara in ScrapBook, Techniques, Tuesday Techniques

≈ 1 Comment

Tags

Distress Ink, Local King Rubber Stamp, Rubber stamp, techniques

We’re going to continue with the Finishing Touches series today and look at inking the edges of a project and adding background stamping. Both of these things will add depth to your work and, in my experience, are usually that last thing you add and then go, “Aha! That’s what it needed!” Nothing major, it’s subtle but packs a punch!

Supplies are simple:

Supplies

Brown ink for inking the edges (I like to use a darker one like Walnut Stain), and a different brown ink for the stamping (I like to use a lighter ink for this, usually Frayed Burlap or Brushed Corduroy); a background stamp (I use textΒ or script 99% of the time); and an ink blending toolΒ with foam.

That’s it – supplies most of you will have anyway (and if you don’t, run away now to the store and buy them please. Thank you. We can wait for you, these are essential supplies, after all!)

OK, now we can get started. Make your tag, or card, or embellishment, whatever. Here’s mine:

Pretty, right? The stamp is from Local King Rubber Stamps, a Canadian company (yay!) that makes cling rubber stamps and they have matching dies too! However, it’s still a little, well, boring.

So, ink the edges! This adds some definition without taking away or adding anything to the overall feel of the card.

See the difference? Just a little definition around the edges to help it stand out yet blend everything together.

It’s better, but still not quite there. With Distress Inks, I could flick some water on to blend the colour some more and add watermark splotches, but if you’re not using a background of Distress Ink, that won’t work for you. So, add some depth with adding bulk by stamping a large background stamp over the whole thing. I like the text and script stamps because they don’t distract from your focal point or image, but they still add a little something more. I use a lighter brown ink so it doesn’t overpower anything, you really just want this to be texture in the background.

Here’s my finished tag:

See what I mean? Same tag as before, but the edges are defined and the stamping adds some depth and interest without distracting from the silhouette stampΒ in the foreground. Not so boring anymore!

I did use Black Sparkle Embossing Powder which makes for a little more interest, as you can see here – love that stuff!

Hope you liked this one and that you try it out! As always, leave me link in the comments so I can see what you do with it!

I’ll be back tomorrow with my October Afternoon layout for the Dr. Seuss challenge, and I’ll fill you in on the class I’m taking tonight with Rae Lynn at The Paperie – she does amazing CAS stuff!

S.

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Tuesday Techniques – Finishing Touches: Scored Lines

13 Tuesday Mar 2012

Posted by Sara in Cards, Techniques, Tuesday Techniques

≈ 5 Comments

Tags

American Crafts, Amy Tangerine, Distress Ink, LilyBee, Papertrey Ink, Ranger, Scor Bug, Scor Pal, techniques

I thought I would do something a little simpler the next few weeks for Tuesday Techniques – Finishing Touches. Sometimes it’s that last little thing that holds us up but is the perfect thing to finish off a project when we do figure it out. Over the next few Tuesdays, I’ll show you a couple of quick, easy things that work for me!

Today, one of my Mom’s favourites when she sees it – Scored and/or Perforated Lines.

You need:

Supplies

A scoring board, a bone folder, a perforating tool, and cardstock. If you don’t have these items, you can use the ridge in your paper trimmer, your finger nail, and a thumbtack – I just like collecting supplies!

Put your cardstock in the upper left corner, making sure everything is straight, then press the bone folder firmly on the cardstock, letting it run down in one of the grooves; I went 1/2″ in for this step…

Scoring...

…and 1/4″ in for the perforating.

Perforating...

Then I did some masking, inking to pick up the perforations, and I was finished!

And a closeup of the details:

I like how the scoring and perforating, with a little inking, makes it looks like a stitched luggage tag – perfect for this one!

To give you some more ideas of how this technique would finish off a card, here are a Sympathy and Birthday card I made using the same Papertrey Ink set and the ScorBug:

Sympathy

Birthday

And finally, a card with scored lines and another Papertrey set:

Chickadee

I scored over the drawn lines to give them a little something more. It’s hard to see here, but adds a lot IRL – just a little oomph!

As always, I’d love to see what you do with this, or any technique I’ve shared. Leave me a link in the comments where I can view your project and I’ll take a look!

I’ll be back tomorrow with myΒ 12 on 12 pictures!

S.

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Tuesday Techniques – Distress Painting & a Sneak Peek!

06 Tuesday Mar 2012

Posted by Sara in ScrapBook, Techniques, Tuesday Techniques

≈ 4 Comments

Tags

Distress Ink, EK Success, Fiskars, Hero Arts, Ranger, Technique Tuesday, techniques

I did it! I got a quick tutorial done!

This is a simple but pretty and effective one – and it can be used for boys, girls, whatever! Just change up the stamp and the Distress Ink colours and you’re good to go!

You will need:

Supplies

Distress Inks, Perfect Pearls Mist (or water), Watercolour paper, a stamp, VersaMark, white embossing powder, a heat tool, a nonstick Craft Sheet, and a paintbrush.

This looks really cool with an enclosed, yet open image, like a flower, but I wanted to do a background. I ended up doing a focal image as well, using black ink and clear embossing powder but that was an afterthought!

First, trace a tag onto watercolour paper and cut it out. I also used two small circle punches to cut the hole reinforcer but it’s not necessary – I’m just a tad bit anal retentive about certain things. πŸ™‚

Heavy weight cardstock can substituted here but watercolour paper is the best surface to use since we will be putting a lot of water on it. Also, when it dries, it looks nicer with a great texture.

Stamp your image with VersaMark and heat emboss with white embossing powder.

Next, press each colour of Distress Ink onto your craft mat and spray each once with Perfect Pearls Mist or water. You need to use Distress Inks for this since they are reactive with water and don’t lose their colour or intensity when mixed with water. Also, mist your tag to make it damp and allow to colour to move more easily.

Next, use your paintbrush to pick up colour and paint your image. Don’t worry about blending – the Distress Inks and water take care of that all on their own while resisting the embossed areas! If you have stamped a closed in image, you’ll notice the colours pool inside the embossed areasΒ and make good puddles.

Keep going until you’re happy with it then give it another good misting. Let it dry and you’re done!

Look at the shine the Perfect Pearls adds!

Now, just finish off your project or add your image to a card or layout. Easy, quick, and simple!

Ali Edwards Stamps are the best – just sayin’!

I’ve used this technique for little brown, blue and green monsters on a canvas in G’s room and they look awesome!

I’ll be back tomorrow with a look at the canvas for the class on Sunday – this technique was one that didn’t make it so I wanted to show it off today.

Here’s a peek of the Sunday project:

Sneak Peek!

Enjoy your day!

S.

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Tuesday Techniques – Cracked Glass

21 Tuesday Feb 2012

Posted by Sara in ScrapBook, Techniques, Tuesday Techniques

≈ 1 Comment

Tags

Distress Ink, Embossing, My Little Bit of Whimsy, October Afternoon, Sprinklers, techniques, The Crafter's Workshop, Tsukineko

Today’s technique is one I learned from Heather Nichols that she calls Cracked Glass.

Remember a couple of weeks ago during the Faux Metal technique I mentioned that sometimes you want the embossing powder to crack? Well, this is that time!

(Sidenote 1: Kristina Werner recommended trying white embossing powder for the faux metal technique to get the look of porcelain. It’s pretty cool!)

Faux Porcelain

Moving on….

Once again, you only need minimal supplies: VersaMark Ink, Clear Embossing Powder, a heat gun, and a stamp of choice.

supplies

(Sidenote 2: I keep all my embossing powder in lock and lock containers. They don’t open and make a mess, they’re big enough to hold a spoon so you can easily coat Β a piece in powder, and you don’t have to try to get theΒ powderΒ back in that little bottle – you just do it all over the container.)

Now, I think this technique looks best with a flower, or something that would look good as vintage, but for fun, I chose an old October Afternoon favourite – the monsters from Night Light!

Seriously, could they be any cuter?

Anyway….

Stamp your image.

Stamped Image

As you can see, I just stamped him on some scrap paper, you only need a little space so no need to cut into a new sheet!

I stamped mine inΒ Memento Tuxedo BlackΒ as I coloured the monster in withΒ Copics. Please forgive the colouring – a Copics master, I am not, but I love how he turned out, with his teal spots and little dots all over him!

Coloured Image

I then masked the image and stamped a text background around him, but that isn’t necessary and, in this case, didn’t really show up in the final product anyway.

Punch or cut out your shape and we’re ready to go!

Ready for embossing!

Press VersaMark onto the image and clear heat emboss. I only had regular embossing powder, but UTEE would be best if you have it – less time and thicker coverage. I think I used 4-5 layers but UTEE would probably only need 2-3. Keep layering untill you get a thick, even, smooth coating.

Lots of embossed layers

If I was to do this again, I would leave the monster just as he is at this step. I liked him better uncracked – again, flowers and things that look more vintagey work best for this technique. I used Stampin’ Up! A Flower for All Seasons (retired) before and they turned out awesome!

Now let it cool. Technically, it cools in a few seconds but I find the crack happens best if you *really* let it cool down. Give it a half hour or more while you’re working on the rest of your project.

Now gently crack the embossing and rub a light brown ink, like Old Paper, into the cracks.

Cracked and Stained

You can see the wet ink below the embossed surface here – that will absorb into the paper in a minute so don’t worry about the splotchy puddles!

Now, you just have to add it to your project! I had a little lovefest withΒ OctoberΒ Afternoon and used 3 different lines to complete my tag – Night Light, Rocket Age, and Sidewalks. TheΒ stick pinsΒ are from My Little Bit of Whimsy and the stencil from The Crafter’s WorkshopΒ – Herringbone.

Finished tag

Lots of dimensions with foam adhesive, the rubber charm, the stick pins, and the cracked glass piece.

Close up!

Try this out and let me know what you think! Can’t wait to see what you make with it – leave me a link in the comments!

S.

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Tuesday Techniques (on Wednesday!) – Stained Crackle

15 Wednesday Feb 2012

Posted by Sara in ScrapBook, Techniques, Tuesday Techniques

≈ 2 Comments

Tags

Distress Crackle Paint, Distress Stain, Grungeboard, Grungepaper, Ranger, techniques

This may be a day late but I hope you’ll all forgive me for once!

For this technique, you do need a very specific product, Distress Crackle Paint in Clear Rock Candy. You’re also going to need a non-stick craft sheet (to contain the mess), Distress Stains, and Grungeboard or Grungepaper.

Supplies

First, you need to die cut a shape of your choice from the Grungeboard or Grungepaper. I chose the paper as the die I used was a very thin one and unable to cut through the heavier Grungeboard. Once you have your shape, give it a decent coat of the crackle paint; the thinner the coat of paint, the finer the crackles. If you want big cracks, do a thick coat but keep in mind it will take a looooonnnnggg time to dry (this technique is very hard on the impatient!)

Wet Paint

Technically, once the paint starts to cracks, you can speed up the process with your heat tool but I normally end up burning the paper so I just let it sit. From experience, I now do this step as the last thing before I go to bed for the night and then it’s ready in the morning – no patience needed!

Dry Crackle Paint

See the cracks? Very neatΒ on it’s own but it will get even better soon!

Now, rub your Distress Stains over the crackled shape. Dry in between layers with your heat tool and keep going until you like the look. Keep in mind that the colours lighten as they dry and you can always add more, but not less!

Staining

When you’re happy with the colours, you’re done!

finished heart

Look at the texture the crackle brings – awesome!

Now, add your very cool and unique embellishment to your project and call it done!

Completed Tag

I used lots of dimension on this one…

Closeup!

As a side note, you do want to use a heavy duty surface for this. Grungeboard and Grungepaper are really durable and can take a beating which I why I use them for this technique. The Crackle Paint is wet and then you’re adding wet Distress Stain so I’m not sure if regular cardstock would hold up under all of that abuse!

Now, I know you might not all have Distress Crackle Paint in your supplies, but that’s ok – I know for a fact The Paperie has some on order! Go call them and reserve yours now, then you can go play too!

I have only ever done this with Clear Rock Candy so, just for you guys, I tried it with Picket Fence (white) so see how it would turn out.

Picket Fence Crackle Paint

I do find that the colours in the Crackle Paints dry faster than the Rock Candy. They’re also matte, whereas the Rock Candy is shiny, like Glossy Accents. And that reminds me, there is a Crackle Glossy Accents, which I’ve never used. That would definitely be worth a try, if you own it.

Stained Crackle - Picket Fence

This is kind of neat too, just a pastel, matte version. Personally, I like the shine and Β texture of the Rock Candy, but this would be good for other uses. Be interesting to see some others colours of paint tried too (hint, hint!).

Once you’ve tried it, leave me a link to your project – I’d love to see what you do!

Sara

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Tuesday Techniques – Faux Metal

07 Tuesday Feb 2012

Posted by Sara in ScrapBook, Techniques, Tuesday Techniques

≈ 6 Comments

Tags

Authentique, Distress Stain, Embossing Powder, heat embossing, Perfect Pearls, Ranger, Scrap Space, Stampin' Up, Stamps, Studio Calico, techniques, VersaMark

Super fun technique today – faux metal! All you need is silver (or gold) embossing powder, VersaMark, and a heat gun! It doesn’t get easier than this, people, and it’s cool – bonus! And I apologize for the pictures – I did this in the night time and the lighting in my kitchen is terrible for pictures!

The Supplies

Pretty simple – you need VersaMark (or some other sticky embossing ink), a Heat Tool, silver embossing powder, and stamps.

First, press VersaMark onto some cardstock, then cover with silver embossing powder.

Silver Embossing Powder

Next, heat it up! There are a couple of ways to do the next few steps, but this is my way. After the first layer, let the powder cool for a moment, ink the embossed surface with VersaMark again, add more powder, and heat. For the next layer, as soon as the powder melts and the surface is still hot, pour embossing powder over it and heat again. Follow this melt, sprinkle, emboss series until you have 4-5 layers of embossing powder. You will notice that the more layers you add, the faster it melts, and the smoother the surface becomes.

4 layers of embossing powder

For the final step, take a stamp and ink it up with VersaMark, then set it aside. Melt the final layer of powder and the immediately lay the stamp in the pool of silver. Let it sit for a moment until the powder cools, then lift it off. The VersaMark should allow it to release very easily.

If your image doesn’t stamp correctly, no worries! That’s why this is the easiest, most foolΒ proofΒ technique out there – simply reheat the powder, let it melt again, andΒ re stamp. You can do that over and over and over and… You get the drift!

Heart Trio

Heart

Another thing you can do is to apply these same steps to heat embossing a chipboard letter. The difference is at the very end. After stamping a pattern on the letter, heat the powder again. The stamp design will disappear, but will leave behind a streaky, almost black residue. This will add to the faux metal look, especially on a letter or small, solid embellishment.

I punched and cut my shapes out, so you still get the pattern, but not the debossed look. If you cut out a square, or cut the shapes outside the stamp line, you’ll get more of a stamped metal look. That heart trio would look awesome cut into a rectangle and left as a simple embellishment on a card front!

Heart Trio Embellishment

See the flecks of black, how it looks like a more aged metal? That’s what you get when you re heat!

You do want to be careful when cutting as, once cooled, the layers of powder can be brittle, especially if you have lots of layers, and they can crack easily. This is a cool look, if that’s what you’re going for (maybe we’ll do that next week!), but if you want a smooth surface, take your time.

Once you’re happy, make your project!

Completed Tag with Faux Metals Embellishments

Closeup

Look at the texture! And a stamp did that! That’s what I call super cool!

Now, you know you’re just itching to try this out for yourself so go do it! What are you waiting for?

Oh, you’re waiting for this…

Scrap Space - during

OK, so maybe you don’t see a big change but let me tell you, since Friday, a lot (a *lot*) of work has been done in this space – you can actually see the floor now! Wish me luck on the rest of it!

And, as always, when you try this technique I’d love to see your results, so post a pic somewhere and leave a link in the comments!

S.

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